Title: And, also, as another commentator of the film has claimed, this is a movie riddled with 1970s film-making techniques – many of which seem outdated today.Yet, despite its flaws, a lot of them work to the film's advantage in the long run. Welles flits back and forth between de Hory and Irving, starting with de Hory making an astounding claim, followed by speechless filler from each men, back and forth, culminating in Irving flatly denying the claim. If you are a fan of Welles or share his love for the topic of deception, you'll find this to be a very enjoyable and fun little detour. Orson Welles' documentary about every kind of hoax and trickery. The film opens with Welles demonstrating his sleight-of-hand for an awestruck child, and this introduction sets the tone, with the director shuffling the different elements of his story as easily as a deck of cards. In the time between the shooting of Reichenbach's documentary and the finishing of Welles's, it became known that Irving had perpetrated a hoax of his own, namely a fabricated "authorized biography" of Howard Hughes (the hoax was later fictionalized in The Hoax). I first read about Orson Welles’ 1973 film F for Fake in a compendium of conspiracy theories by the late author and Playboy editor Robert Anton Wilson, a huge fan of Welles and this movie in particular. On the way, Welles plays a few tricks of his own on the audience. In addition to the 88-minute film, in 1976 Welles also shot and edited a self-contained 9-minute short film as a "trailer", almost entirely composed of original material not found in the main film itself. F for fake As technology becomes more sophisticated, it is likely to involve a more insidious erosion of facts, rather than grand deceptions in the style of War of the Worlds . As one reviewer noted, it's Welles at his most personal, and this is both good and bad – good because Welles is so gleeful and joyous that it's totally infectious and, if you let yourself, it's easy to be caught up in the free flow of the film. Welles recounts his own past use of fakery: how he got a job in Ireland by falsely claiming to be a famous New York actor, and how his broadcast of War of the Worlds made deliberate use of fake news to enhance the story. Initially released in 1974, it focuses on Elmyr de Hory's recounting of his career as a professional art forger; de Hory's story serves as the backdrop for a meandering investigation of the natures of authorship and authenticity, as well as the basis of the value of art. He apologizes, quotes Picasso's statement that art is a lie that makes us see the truth, and bids the audience good evening. "[9], On review aggregator Rotten Tomatoes, the film has an approval rating of 88% based on 50 reviews, with an average rating of 7.79/10. Soon Welles begins to narrate the movie, but (and this is what really separates it from most documentaries) there is a decidedly theatrical quality to the proceedings. The freeze-frames may be outdated but they help the film to develop a very distinct style which, in turn, enhances the amazing editing job.If not for anything else, see F For Fake simply because it contains some of the best editing you'll ever see in your life. Now comes Welles' latest work, forthrightly titled "F For Fake." Elmyr is shown throwing a dinner party at his home in Ibiza and being feted by European society, although he dances around the question of whether he is guilty or not. F for Fake. As Finnegans Wake was for Joyce, F for Fake was for Welles a playful repository of public history intertwined with private in-jokes as well as duplicitous meanings, an elaborate blend of sense and nonsense that carries us along regardless of what’s actually being said. On the way, Welles plays a few tricks of his own on the audience. [7], F for Fake faced widespread popular rejection. Use the HTML below. Orson Welles is great as the host, the cast is colorful, and the editing is superb. A mixture of documentary footage shot by others (some of it featuring Welles himself), archive footage, photos, and footage Welles shot specifically for the film, F for Fake offers as its ostensible subject a scandalous case concerning dubious authorship: Clifford Irving’s allegedly bogus biography of his friend Elmyr de Hory, himself best known as a forger reputedly responsible for many of the world’s … It was Welles' last true finished film before his death and it seems somewhat fitting that he'd sign his departure with a project such as this: one crafted from deep passion and filled with joy and wit and wonder. Similarly, Welles himself made numerous false statements about Oja Kodar in the film. Principal photography took place between 1957 and 1969. An entire year was allegedly spent just editing this film, and the time was well spent.The rest of the film is just as unique – nothing like this has been done before or since. Kodar took Picasso to her grandfather, the forger, who defended his work with pride while Picasso angrily demanded the paintings back. Welles's autobiographical asides in the film reflect on his 1938 radio adaptation of The War of the Worlds, which he alleges caused a nationwide panic with its fake news broadcast. About de Hory, we learn that he was a struggling artist who turned to forgery out of desperation, only to see the greater share of the profits from his deceptions go to doubly unscrupulous art dealers. Let our editors help you find what's trending and what's worth your time. Welles discusses the irony of Irving commenting on Elmyr's forgery while having committed a version of it himself (Welles states his belief that Irving must have been in the process of working on the hoax at the time he was filmed for the Elmyr project). The story about Kodar, her grandfather, and Picasso and some forger paintings that the grandfather supposedly made is presented at the end of the film before Welles reminds the viewer that he only promised to tell the truth for an hour and that "for the last 17 minutes, I've been lying my head off." Want to share IMDb's rating on your own site? A documentary about Orson Welles's unfinished three-part film about South America. Reichenbach is shown telling how Elmyr provided him with several paintings of questionable authenticity, but the art dealers he gave them to were willfully blind to it. Welles reveals the footage is taken from another experiment about girl-watching, where Kodar deliberately drew attention to herself and the men were unaware they were being filmed. Welles says her story will continue later in the film, and then narrates the story of Elmyr de Hory, an art forger who sold many fake paintings to museums and collectors all over the world. But the fightback against fake news has begun. Secondly, many of the interviews in the film were with people who were themselves directly involved with forgery in one way or another, often making statements that would have been known by the filmmakers to be false, but which were allowed to pass without comment in the film. In one sense, it all comes down to style. Welles chronicles the true story of the famous art forger Elmyr de Hory (as well as his official biographer and future fraud, Clifford Irving, who penned the Howard Hughes autobiography-that-wasn't-really-an-autobiography), but it doesn't feel like a documentary at all.If you do not share Welles' passion for the subject of fraud and deception (he even recaps his own infamous War of the Worlds broadcast which nearly cost him his job at RKO), this may be a bit tiring to sit through. He admits the entire story of Kodar, her grandfather, and Picasso was made up. 31 October 2018. F for Fake. Finally, Wilson points out several scenes which, while presented in a way that implies they were filmed in real time, were upon further inspection clearly fabricated from unrelated pieces of footage in a way guaranteed to mislead the casual viewer. Test footage was filmed as early as 1955, ... See full summary ». 5 out of 5 stars. The movie follows the exploits of a famous art forger, his biographer Clifford Irving , and the subsequent fake autobiography of Howard Hughes that Irving tries to publish. PG | 1h 29min | Documentary | 12 March 1975 (France) A documentary about fraud and fakery. In Macao, a wealthy merchant named Charles Clay hires two people to recreate a story of a sailor who is paid to impregnate a man's wife. Welles quotes Robert-Houdin to the effect that a magician is just an actor. He illustrates the point by shots of the cathedral of Chartres, pointing out that the names of the men who created the magnificent building and the sculptures which adorn it are unknown. He wonders if believing such stories makes a person credulous or not, and questions the true wisdom of so-called experts, who verified Irving's forgery as authentic. 24 of 28 people found this review helpful. Far from serving as a traditional documentary on de Hory, the film also incorporates Welles's companion Oja Kodar, notorious "hoax-biographer" Clifford Irving, and Orson Welles as himself. Doctors Jo Wilson, April Kepner, and Andrew DeLuca share the episodes they think are essential to understanding their characters. Recommended. What is unique to the film is the concept of the unreliable narrator — a key subject of the film itself, which at many points shows Welles sitting at an editing controller, as he narrates and draws self-reflexive attention to the problems with veracity in life and filmmaking. An example of this appears with a series of near wordless shots of Irving and de Hory seemingly in debate as to whether de Hory ever signed his forgeries (the shots of Irving and de Hory were in fact taken at different times).[11]. Which Film Has the Most Diabolical Con Artist(s)? Need some help finding the best things to watch on Netflix? Orson Welles' free-form documentary about fakery focusses on the notorious art forger Elmyr de Hory and Elmyr's biographer, Clifford Irving, who also wrote the celebrated fraudulent Howard Hughes autobiography, then touches on the reclusive Hughes and Welles' own career (which started with a faked resume and a phony Martian invasion). In introducing this chapter of his life, Welles declares his uncertainty as to his own authenticity, as he believes he too has engaged in fraud. Orson Welles uses a fractured narrative combined with dazzling illusions and intricate interviews to weave a complex tale of blurring the lines. F for Fake is a minor work in some ways, but there is fascination and poignancy in seeing Welles's elegant retreat into this hall of mirrors. F for Fake (French: Vérités et mensonges, "Truths and lies") is a 1973 docudrama film co-written, directed by, and starring Orson Welles who worked on the film alongside François Reichenbach, Oja Kodar, and Gary Graver. As partial compensation for that injustice, he is maintained in a villa in Ibiza by one of his dealers. This FAQ is empty. (De Hory would commit suicide two years after the initial release of Welles's film, on hearing that Spain had agreed to turn him over to the French authorities.). "[10], According to some reviews, the F for Fake mash-up has possibly paved the way for the modern "attention-deficit" style of editing. Later in his career, Orson Welles made a film called F for Fake, a “documentary” about art forgers that leads viewers to question the narrator’s reliability. Welles notes that Elmyr doesn't even own the house he lives in; it is provided for him by an art dealer. It's post-mass communication, but pre-internet, pre-CGI. Radio announcers feverishly described the progress of Martian war machines across the country. The lowercase 'f' is not related to the visually similar long s, 'ſ' (or medial s).The use of the long s largely died out by the beginning of the 19th century, mostly to prevent confusion with 'f' when using a short mid-bar.. Use in writing systems English. Elmyr insists he never signed any forgery, and Welles wonders whether, given the fact that all art eventually falls away to ruin, a signature truly matters to any art work. Directed by Orson Welles • 1975 • France, Iran, Germany Trickery. 1973 docudrama film co-written, directed by, and starring Orson Welles who worked on the film alongside François Reichenbach, Oja Kodar, and Gary Graver. F for fake . While the basic facts of The War of the Worlds incident are correctly given, the apparent excerpts from the play featured in the movie are complete fabrications, including a scene in which President Roosevelt meets the Martian invaders—something which did not happen in the original (fabricated) broadcast. Films similar to or like F for Fake. Described by Welles as "a new kind of film", F for Fake - a.k.a. Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. The Moorish General Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his Lieutenant Michael Cassio when in reality, it is all part of the scheme of a bitter Ensign named Iago. Orson Welles' F for Fake is a prime example of a film which is both about falsification (art forgery and the journalism surrounding art forgery) as well as having falsified moments within the film. Orson Welles uses a fractured narrative combined with dazzling illusions and intricate interviews to weave a complex tale of blurring the lines. Irving and Elmyr tell about the art dealers who were fooled by the forgeries, and Welles considers the question whether this means art dealers and appraisers are fake also. Don Quixote is an unfinished film project produced, written and directed by Orson Welles. In Orson Welles’s free-form documentary F for Fake, the legendary filmmaker (and self-described charlatan) gleefully engages the central preoccupation of his career—the tenuous line between truth and illusion, art and lies. He also notes the coincidence that his first film Citizen Kane was originally going to be a fictionalized version of Howard Hughes.[2]. F for Fake has grown somewhat in stature over the years. Orson Welles was hired to edit a documentary by François Reichenbach about the art forger Elmyr de Hory. An unassuming office worker is arrested and stands trial, but he is never made aware of his charges. Anonymous. Film, Documentaries. Apart from some very brief split-second camera shots, the entire film is a self-contained short containing original material starring Welles, Gary Graver and Oja Kodar. F for Fake is similar to these films: Don Quixote (unfinished film), The Other Side of the Wind, Touch of Evil and more. F for Fake ( 1973) F for Fake. Fake!, a.k.a About Fakes, a.k.a.? View production, box office, & company info. Welles also draws parallels between the De Hory and Irving hoaxes and his own brush with early notoriety by including a recreation of part of his 1938 War of the Worlds radio drama, which had simulated a newscast about a Martian invasion and sparked panic among some listeners. F for Fake is one of the more wistfully humorous of Welles’s wrestlings with reality. It is unclear where Welles's participation stops and his lesser-known collaborators begins, as the film employs multiple editors, multiple directors, multiple cross cuttings of unrelated footage and the often erratic use of creative geography as well as multiple voice-overs. ("Question Mark") - is a prism of a movie, a kaleidoscope in which fiction, documentary, and the poetic essay interlock, fragment, and recombine to form one of … This dialogue is presented by Welles and Kodar re-enacting the parts of the grandfather and Picasso respectively. Welles called it a "new" type of movie-making: a mixture of documentary and essay. F for Fake stars Orson Welles, Clifford Irving, and Elmyr de Hory as themselves, and is presented in the from of a docudrama. She insisted she be allowed to keep the paintings, but later when Picasso read about an acclaimed exhibit of 22 new pieces of his, he flew there in a rage, only to discover the pieces were all forgeries. But it is also an example of the power of effective editing – simply put, this is some of the most impressive technical cutting, swiping, panning, scanning, freeze-framing and elaborating ever put on film. The film grew over time to encompass de Hory, as well as de Hory's biographer Clifford Irving, who was revealed to be a forger himself. "[3] Welles used these circumstances to produce a meditation on the nature of fakery, which he called " a new kind of movie … it’s a form, in other words, the essay, the personal essay, as opposed to the documentary. The film opens with Welles performing magic tricks for some children while Kodar watches nearby. F for Fake opens with a couple of magic tricks, segues as though by sleight-of-hand into the story of master art-forger Elmyr de Hory and his relationship with biographer Clifford Irving (a sequence "remixed" by Welles with extant footage from François Reichenbach’s documentary work-in-progress, Elmyr), then hones in on Irving when word gets out that his purported biography of recluse-mogul Howard Hughes … In the commentary to the Criterion Collection DVD release of F for Fake, Kodar claims the idea for this segment as her own. F for Fake It opens with Welles performing a simple magic trick; the camera is all around him, barely allowing audiences any time to follow what's happening. Drama. You must be a registered user to use the IMDb rating plugin. There has not always been agreement among commentators over just how that production unfolded, but the now-accepted story[5] is that the director François Reichenbach shot a documentary about de Hory and Irving before giving his footage to Welles, who then shot additional footage with Reichenbach as his cinematographer. Irving's original part in F for Fake was as de Hory's biographer, but his part grew unexpectedly at some point during production. The filmmaker cites his own rise to stardom as a trickster by claiming that his first entrance on the scene was with a fake radio program about invasion from Mars. Welles then confesses that he had promised everything in the "next hour" was true, and that hour had already passed. George Orson Welles (May 6, 1915 – October 10, 1985) was an American director, actor, screenwriter and producer who is remembered for his innovative work in radio, theatre and film. When it finally came out, Welles produced a preview "trailer" for it, which was effectively a wholly original 9-minute film, shot and edited in a similar style to the film itself. [8] The film embraces ideas from the self-conscious notation of the film process to the ironic employment of 1950s-era B movie footage (Earth vs. the Flying Saucers). This discovery prompted the shooting of still more footage, which then got woven into F for Fake. An elusive billionaire hires an American smuggler to investigate his past, leading to a dizzying descent into a cold-war European landscape. F for Fake is sometimes considered an example of a film essay. Was this review helpful to you? BY ANDREW MOODY. A couple's honeymoon trip aboard a yacht leads to a claustrophobic drama when another vessel runs into their voyage, apparently drifting. She also claims credit for the movie's opening sequence, which consists of shots of a miniskirt-clad Kodar walking down streets while rubbernecking male admirers (unaware that they are being filmed) stop and openly stare. This contradicts published accounts that the film was inspired by the life of, Learn how and when to remove this template message, Orson Welles box office information in France, "Hanky-Panky Men: Orson Welles' F for Fake", "Orson Welles's: "Complicitous Critique: Postmodern Paradox in, "Video: 'F for Fake' Joins Orson Welles Rarities", It's All True: Based on an Unfinished Film by Orson Welles, Magician: The Astonishing Life and Work of Orson Welles, https://en.wikipedia.org/w/index.php?title=F_for_Fake&oldid=1019705969, American avant-garde and experimental films, Articles needing additional references from July 2014, All articles needing additional references, Articles with unsourced statements from May 2020, Creative Commons Attribution-ShareAlike License, Alexander Welles – Special Participant (as Sasa Devcic), 1995 Home Vision Cinema, Janus Films VHS (FAK 010), 25 July 1995, 2010 Eureka Video: Masters of Cinema, Region 2 DVD (Spine #31) – Special features include audio commentary by cinematographer, This page was last edited on 24 April 2021, at 23:13. In F FOR FAKE, a free-form sort-of documentary by Orson Welles, the legendary filmmaker (and self-described charlatan) gleefully reengages with the central preoccupation of his career: the tenuous lines between illusion and truth, art and lies. Written by [9], Several filmmakers contributed to the forgery that is F for Fake including B-movie cinematographer Gary Graver (who contributes all footage filmed in the U.S., as well as some very choppy editing, and his own voice/image as the dubious on-screen "newscaster") as well as Welles's girlfriend and muse, Oja Kodar (who is ogled both by Welles's camera and by stock footage[citation needed] of males who "see" her). 5 out of 5 stars. Get a sneak peek of the new version of this page. "[4], Several storylines are presented in the film, including those of de Hory, Irving, Welles, Howard Hughes and Kodar. Beginning with portraits of the world- renowned art forger Elmyr de Hory and his equally devious biographer, Clifford Irving, Welles embarks on a dizzying journey … Magic, forgery, fraud, everything false is covered and dissected in this short but very real documentary. F for Fake is a glimpse back to a golden age of hoaxing, of a classical style of sleight of hand and illusion. (1973). Time Out says. The Handmaid’s Tale Season 4 Episode 4 Review: Gilead Doesn’t Have the Monopoly on Abuse, “How Do You Build Trust with People Who… Do Not Remember They Have Ever Met You?”: Louise Detlefsen on Her Hot Docs-Debuting It is Not Over Yet, IMDb Poll Board Favorite Documentary Films, Sight & Sound: Greatest Documentaries of All Time. Initially released in 1974, it focuses on Elmyr de Hory 's recounting of his career as a professional art forger; de Hory's story serves as the backdrop for a meandering … In F for Fake, a free-form sort-of documentary by Orson Welles, the legendary filmmaker (and self-described charlatan) gleefully reengages with the central preoccupation of his career: the tenuous lines between illusion and truth, art and lies. Magic. Roguishly comic yet profoundly bittersweet and edited in seizures with a deliberate, manic grace, the film represents the most flamboyant of its director’s magical acts, with Welles himself acting on screen as the narrator/conjuror, pulling the curtain back again and again, each time only to reveal another stage and … Some of Hughes's career is outlined in the form of a parody of the "News on the March" sequence in Citizen Kane. The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved. F for Fake (French: Vérités et mensonges, "Truths and lies") is a 1973 docudrama film co-written, directed by, and starring Orson Welles who worked on the film alongside François Reichenbach, Oja Kodar, and Gary Graver. They did not sign their work, but it has endured. Keith Woodward explains: "following Irving’s hoax, Welles and his cinematographer, Gary Graver, shifted gears, scrambling to keep up with the Hughes affair, adding new shots, re-thinking the narrative, re-editing, re-combining different themes, incorporating emerging material. F for Fake was not released in the USA until 1976. F for Fake is fake? Welles thought he was creating a new form of cinema. And the finale – in which Welles tells an elaborate story about Kodar – turns into a fun and well-edited - but extremely overlong – verbal game between Welles and Kodar, preceded by an even more tiring sequence of Kodar once again walking around in provocative clothing, eventually shedding them and being captured on film in the nude by Welles for an extended length of time. It moves quicker than any other Welles film, and in fact according to the critic Jonathan Rosenbaum in his excellent Criterion Collection essay, Welles had purposely tried to separate this from his typical directorial style. Share. Many of the candid sequences of de Hory and Irving are lifted from a documentary that had already been made by the film’s producer, François Reichenbach, who was also an … Add the first question. But the bad part of this is that Welles allows himself to dabble in vices – he devotes the opening credits to shots of his mistress Oja Kodar and her back-side as she walks around a Mediterranean city catching the glimpses of men everywhere. Perhaps the best way to approach F for Fake is to view it as a cinematic magic trick – the work of a master illusionist. In F For Fake the very nature of filmmaking is under the microscope, Welles illustrates how, through the process of editing, footage can be manipulated to suggest connections, deceive and add humour. Magic. In the English writing system f is used to represent the sound / f /, the voiceless labiodental fricative. F for Fake is the most unconventional and fascinating documentary I've ever seen. The trailer has subsequently been restored in colour, and is included as an extra on some DVD versions of the film. He is considered one of the greatest and most influential filmmakers of all time. False stories published online have disrupted politics and stoked market volatility, causing headaches for investors. Deceit. Irving describes how Elmyr was nearly destitute when younger and subsisted in America by making and selling forgeries that were indistinguishable from the real works, while remaining one step ahead of the law through frequent relocations. Critical reaction ranged from praise to confusion and hostility, with many finding the work to be self-indulgent and/or incoherent. Welles finally presents Kodar's story: she holidayed in the same village as Picasso, who noticed her and painted 22 pieces with her as the model. The career of Shakespeare's Sir John Falstaff as a roistering companion to young Prince Hal, circa 1400 to 1413. F for Fake is the most unconventional and fascinating documentary I've ever seen. Welles begins F for Fake by performing several magic tricks and claiming that filmmaking is prestidigitation and tricks the viewer into seeing something that the viewer willfully accepts. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself. The website's critical consensus reads, "F for Fake playfully poses intriguing questions while proving that even Orson Welles' minor works contain their share of masterful moments. Welles promises that for the next hour everything in the film will be based on solid fact. He finally moved to Ibiza, but was not prosecuted for lack of witnesses to the actual forging, as well as the scandal that might be aroused by revealing the depth of the art market's complicity in the deception. A stark, perverse story of murder, kidnapping, and police corruption in a Mexican border town. It's a film about fakes and frauds, including the art forger Elmyr de Hory, the biography forger Clifford Irving, the mystery man Howard Hughes and even the young Orson Welles of the famous " War of the Worlds " hoax. Orson Welles' free-form documentary about fakery focusses on the notorious art forger Elmyr de Hory and Elmyr's biographer, Clifford Irving, who also wrote the celebrated fraudulent Howard Hughes autobiography, then touches on the reclusive Hughes and Welles' own career (which started with a faked resume and a phony Martian invasion). Welles presents more of Irving's story of having had secret contact with Hughes, and the odd stories of Hughes's behavior that may or may not have been true. Keep track of everything you watch; tell your friends. America As Seen by a Frenchman (1960); Arthur Rubinstein – The Love of Life (1969); F for Fake (1975); Do You Hear the Dogs Barking? F for Fake opens with a couple of magic tricks, segues as though by sleight-of-hand into the story of master art-forger Elmyr de Hory and his relationship with biographer Clifford Irving (a sequence "remixed" by Welles with extant footage from François Reichenbach s documentary work-in-progress, Elmyr), then hones in on Irving when word gets out that his purported biography of recluse-mogul Howard Hughes … Interweaving the narratives even more, there are several pieces of footage in the film showing Welles at a party with De Hory, and, at one point, De Hory even signs a painting with a forgery of Welles's signature. Kodar is then shown strolling around a street in a miniskirt while being ogled by the men on the street. F for Fake provides examples of: Alliterative Title: F for Fake. This sequence is described by Kodar as inspired by her feminism; in his narration, Welles claims the footage was originally shot for an unrelated production. Author Robert Anton Wilson, a great fan of the film, argued in Cosmic Trigger III: My Life After Death that the film was itself largely an intentional effort at fakery by Welles in support of the film's themes. Aliens invaded America on October 30, 1938. When writer Jonathan Rosenbaum asked Welles if he was creating a documentary, he replied, “No, not a documentary — a new kind of film. Certificate: Passed Topic. F for Fake (French: Vérités et mensonges, "Truths and lies") is the last major film completed by Orson Welles, who directed, co-wrote, and starred in the film. The result is a film showcasing the limitless possibilities of passionate film-making – Welles was clearly in love with his material, and it shows in every frame. One of those filmed is Clifford Irving, who had published a biography of Elmyr called Fake, and later in a notorious scandal was revealed to have been the forger of a fake "authorized biography" of Howard Hughes. 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A documentary about fraud and fakery aware of his own on the street to represent the sound / f,... Stills must not be reproduced, copied or downloaded in any way own site of everything you watch tell. 1975 • France, Iran, Germany Trickery an unassuming office worker is arrested and stands trial, but is... Keep track of everything you watch ; tell your friends own on the audience widowed and! A magician is just an actor the `` next hour everything in the commentary to the effect that magician... I 've ever seen `` f for Fake is both an entertaining and serious look at without... With pride while Picasso angrily demanded the paintings back to a dizzying descent into cold-war! Widespread popular rejection perverse story of Kodar, her grandfather, and police corruption in complex. Cast is colorful, and ends up mired in a complex murder plot of fun he was creating new. ' latest work, but he is maintained in a complex tale of blurring the lines wistfully humorous Welles. 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