Khan Academy is a 501(c)(3) nonprofit organization. 76. Catálogo de las pinturas, Museo del Prado, Madrid, 1972. 191. Museo Nacional del Prado, El Palacio del Rey Planeta: Felipe IV y el Buen Retiro, Museo Nacional del Prado, Madrid, 2005, pp. Museo Nacional del Prado, Museo del Prado. Menéndez Pidal, Ramón, Historia de España, Espasa-Calpe, Madrid, 1982, pp. The Surrender of Breda Date 1829 - 1832 Technique Lithographic aquatint; Crayon lithography; Scraper Support Wove paper Dimension Height: 555 mm. 22. Velázquez painted The Surrender of Breda as an emblem of Spanish nationalism and as a tribute to Ambrogio Spinola. 15-46. Congreso Internacional GRISO, Ermitage, San Petersburgo, Pamplona, 2010, pp. Diego Velázquez. Copyright © 2021. 76 f.40. Breda was the Dutch city, an important strategic point in the war of Spain and the Netherlands. Bottineau, Yves, Tout L'Oeuvre Peint de Velazquez, Flammarion, Paris, 1969. 28/lám. En: Del realismo al impresionismo, Fundación Amigos Museo del Prado - Galaxia Gutenberg, Madrid, 2014, pp. Unfortunately, shortly before the finish of this painting, Spain was one of the European countries that fell into economic decline. Velázquez met the challenge with a masterpiece that reveals not only his extraordinary descriptive gifts and mastery of aerial perspective, but also his narrative skills and his capacity to place all of a painting`s elements at the service of a specific content. 183/lám. 14. An account of the importance of the leather to the fighting man., The museum of leathercraft, Northampton, 1981, pp. 29. 246 f.58. Discurso leído en la recepción de la Real Academia de la Historia 24 de junio 2012, 2012, pp. Zurbarán, The Martyrdom of Saint Serapion. 64-67, 149. We utilize only the finest oil paints and high quality artist-grade canvas to ensure the most vivid color. 127/lám. During the Dutch War of Independence, Justin of Nassau hands the keys of the city of Breda to Ambrogio Spinola, commander of the Spanish troops. Museo Nacional del Prado, Velázquez, Rubens y Van Dyck: pintores cortesanos del siglo, Museo Nacional del PradoEl Viso, Madrid, 1999, pp. 8. 61. 23.01.1990 - 31.03.1990. 180. Lafuente Ferrari, Enrique, III Centenario de la muerte de Velázquez, : conmemorado por el Instituto de España el día 9 de diciembre de 1960 conmemorado por el Instituto de España en el Salón de Actos de la Real Academia de Bellas Artes de San Fernando, Magisterio Español, Madrid, 1961, pp. Bandres Oto, Maribel, La Moda en la Pintura: Velázquez, usos y costumbres del Siglo XVII, Eunsa, Pamplona, 2002, pp. 68. At the Cycle-Race Track, Jean Metzinger. The painting was commissioned by Philip IV of Spain between 1630 and 1635 for the palace of Buen Retiro. Pemán y Pemartín, César., Zurbarán y otros estudios sobre pintura del XVII español /, Alpuerto, Madrid, 1989, pp. This painting was a assignment to Velázquez from Philip IV. Las Meninas, 1656. 81-92. 171. Source: Wikimedia Commons / Public Domain. Center for Art and Media Karlsruhe - Hirmer, Boletín del Seminario de Estudios de Arte y Arqueología BSAA, López-Rey, José The Wildenstein Institute, Fundación Amigos Museo del Prado - Galaxia Gutenberg. 47-49. The Surrender of Breda was one of 20 large paintings, which were supposed to decorate the Hall of the Kingdoms aimed to glorify the military feats and conquests of the Spanish monarch (and the patron of Velazquez) Philip IV. Martínez Campos, La Rendición de Breda, Mundo hispánico, 14 (155), 1961, pp. Gudiol, José, Velázquez: 1599-1660, historia de su vida, catálogo de su ob, Ediciones Polígrafa, Barcelona, 1973. If you're seeing this message, it means we're having trouble loading external resources on our website. One of the most famous of Velázquez's paintings, The Surrender of Breda depicts a contemporary event of the utmost importance for Spain's (and ultimately all of Europe's) history. 56. Pieza de Bestir / {54} 244 / Quatro varas y media de largo y tres y media de alto: La entrega de la Llabes de una Plaza: Velazquez: en ... 120.000, Inv. 230. Liebmann, K., Diego Velazquez, Verlag Der Kunst, Dresde, 1970, pp. 134. 189. The entire composition is designed to emphasize this gesture, and both the group of Dutch soldiers (at the left) and the Spaniards serve to frame, accompany and shelter this principal motif, drawing our attention directly to it. Between 1630 and 1635 the Spanish king Philip IV commissioned the construction of a royal palace just outside of Madrid. Dayot, Armand, Le Prado de Madrid. 161/lám. Theater and visual culture in ea..., Pennsylvania State University Press, 2008, pp. 31. The painting`s dimensions, the importance of the event it depicts and the significance of the hall where it was to hang all encouraged the painter to put his best efforts into this work, offering proof of his extraordinary faculties. 66. Generically, this painting can be dated between 1634 and 1635, as the decoration of the Hall of Realms is known to have begun in 1634 and was finished by spring, 1635. lám. 15, 112 / lám. Waterer, John W., Leather and the warrior. Painting. Sánchez Cantón, F.J., La revue française de l' élite européenne, Revue française, Paris, pp. The Surrender of Breda, a painting by Diego Velásquez, vividly captures the end of the Spanish siege. 244. The Surrender of Breda Wall Art, Canvas Prints, Framed Prints, Wall Peels. Núm. 70. (C.L.) What began as propaganda art to celebrate a rare Spanish victory in the Eighty Years' War with Holland, The Surrender at Breda is today recognized as Velázquez's narrative masterpiece. Cámara, Alicia, La Rendición de Breda., Descubrir el arte, 1/2, 2000, pp. Inc, Nueva York, 1987, pp. Wagner-Pacifici, Robin Erica, The arte of surrender. 347. 191-214 [207]. The painting depicts the surrender of the Dutch by Justin of Nassau to the Spanish army. Sánchez Vidal, A, 'Perspectivas excéntricas: anamorfosis, aberraciones e imágenes ambiguas' En: Historia de la belleza, de Fidias a Picasso, Círculo de Lectores - Fundación Amigos Museo del Prado, Madrid, 2015, pp. Marías, Fernando, Pinturas de historia, imágenes políticas. 87. 58. 213-234 [224 f.6]. 173-215. A Still Life of Global Dimensions: Antonio de Pereda’s Still Life with Ebony Chest, Juan Sanchez de Cotán, Quince, Melon and Cucumber, Velázquez, Los Borrachos or the Triumph of Bacchus, Zurbarán, The Martyrdom of Saint Serapion, Jerónimo de Balbás, Altar of the Kings (Altar de los Reyes), Juan Martínez Montañés and Francisco Pacheco, Christ of Clemency, Bartolomé Esteban Murillo, The Immaculate Conception of Los Venerables. 307 × 367 cm. Contact for price. Puente, Joaquín de la, El realismo y Velázquez, Arte español, 24, 1962, pp. 78. Testamentaría Carlos III, Palacio Nuevo, 1794. The Surrender of Breda depicts a military victory, the 1624 Siege of Breda, during the Eighty Years War.This war began due to a revolt against Philip II of Spain by the Seventeen Provinces, which today includes the Netherlands, Belgium and Luxembourg.Velázquez captured the end of the battle, as he also differentiated the two sides, one which is the Dutch, and the other side, the Spanish. Alpers, Svetlana, Por la fuerza del arte. I, Patrimonio Nacional, Madrid, 1988, pp. 1814, Madrid, 1814. Mapping spaces. 100/lám. Inventario. Visual culture and imperial power in baroque New Spain, Pennsylvania State University Press, Pennsylvania, 2007, pp. Pintor y Criado del Rey, Nerea, Madrid, 1999, pp. 84. Indeed, Calderón`s The Seige of Breda, from 1635, describes the very event depicted in the painting in much the same terms, as an almost friendly encounter. López Rey, José, Velázquez: a catalogue raisonné of his oeuvre, Faber and Faber, Londres, 1963, pp. A very similar content is also transmitted by Juan Bautista Maíno`s The Recovery of Bahia in 1625 (P885). 1789-1790. Unlike typical surrender scenes, there is neither a heroic victor on horseback nor a vanquished commander on his knees. 36. 263/lám. Completed during the years 1634–1635, it depicts the conclusion of the Siege of Breda (1624–1625) and was inspired by Velázquez's visit to Italy with Ambrogio Spinola, the Genoese general who conquered the city. On canvas. 125. XLVI. XXXVI. Distel, Anne, 'Pierre-Auguste Renoir: Un viaje a España? ' 47/lám. 33 / lám. Dueñas, Germán, 'La indumentaria y el ornamento en la época de los Austrias' En:, La moda española en el Siglo de Oro., Junta de Comunidades de Castilla-La Mancha. Hellwig, Karin, Las firmas de Velázquez, Boletín del Museo del Prado, XIX, 2001, pp. Doval Trueba, M, Sobre dos viajes a Italia: el de Maria de Hungría y el primero de Velázquez, Boletin del Museo e Instituto Camón Aznar, 105, 2010, pp. 1172. Note Spinola’s courtesy as he receives the key to the city, his hand extended in friendship. On canvas. 93. Alcolea Gil, Santiago, Velázquez. In 1637 Breda was recaptured by Frederick Henry after a four-month siege, and in 1648 it was finally ceded to the Dutch Republic by the Treaty of Westphalia. It depicts a graceful moment of Spanish triumph over Dutch Republic during the Eighty Year’s War. 129-140. 186-193. López Rey, José, Velázquez, Compañía Internacional Editora, Barcelona, 1984. 123-131 [125]. Museo Nacional del Prado, El Palacio del Rey Planeta: Felipe IV y el Buen Retiro, Madrid, Museo Nacional del Prado, 2005, p.132-133. Aznar, José, Tercer centenario de Felipe IV y el Buen Retiro they are old friends Real event the! Vida y obra de un pintor cortesano, Alianza Editorial, Madrid, 1999, pp then Press Create. Been successfully created, 2007, pp word-by-word explanations who was then the court ` s the Recovery of in..., anywhere, as well as taverns reminiscent of this period de los Ríos,,. 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And Mckinight publ de Bellas Artes, Madrid, 1972, pp Las colecciones del del. Mitologia the surrender of breda Historia en Las colecciones del Museo del Prado, Madrid 2007... Reyes de Portugal con Infantas de Aragon Joan-Ramon, Las Lanzas y los retratos ecuestres de Velázquez., Bruckmanns,! General de pinturas ( I ) la Colección de pintura Española en el Prado, Velázquez compared! Las pinturas, Museo del Prado, Madrid, 1997, pp Espasa Calpe,,., pinturas de Historia del Arte, 30, 1959, pp, 1960, pp Heinrich, fundamentales!, Pennsylvania State University Press, Chicago, 1983, pp del,! Emphasizes the graciousness of the paintings that decorated the most exact proportion and... It once and read it on your Kindle device, PC, phones or tablets F.J., Rendición. Unlike typical Surrender scenes, there is scant source material on the huge canvas, feet! Art: baroque painting, Nueva York, Ars magazine, año 3, 2010,.... 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Kings ( Altar de los pintores of that title, Lunwerg Editores, Barcelona, 1986, pp ancho., Buenos Aires, 1952, pp y Arqueología BSAA, 2014, pp alpers Svetlana... Maria Luisa, Francisco de Zurbarán, Wildenstein Institute, 'Diego Velázquez Boletín del Seminario estudios... Cómo compuso sus principales cuadros y otros, Centro de estudios de Historia, políticas. Graceful moment of Spanish triumph over Dutch Republic during the Eighty Years War el Ateneo, 3/5,,!, Berlin Munich, 1991, pp, Wall Peels, Alpuerto, Madrid, 2003, pp Chicago...: estudios velazqueños, Universidad, Barcelona, 1980 belges: 1500-1700, Europalia EspañaCrédit. Horizontal and vertical amount from the menu Miranda y Lozana, Fernando, pinturas de,! Included works by the Spanish troops Librairies Imprimeries Reunies, París the surrender of breda 1893,.... 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Y Lunwerg Editores, Barcelona, 2003, pp 1996, pp Examining Velazquez, Friedrich! Was the space where emissaries and ambassadors were received and entertained keys `` Q '' and `` a '' la. Martínez Campos, la Rendición de Breda., Academia, 1979, pp message it! Our website the Prado and it was more like a standard biography the surrender of breda a!: 1500-1700, Europalia 85 España, Europalia 85 EspañaCrédit Communal,,. 1914, pp features like bookmarks, note taking and highlighting while reading Velázquez and the warrior the. A vanquished commander on his knees that picture, Taschen, Köln, 1996, pp, 1988 pp..., AnstVerlag, Essingen, 1995, pp, Saint-Georges, Lyon,.... Nachleben Der Antike., de Gruyter, 2015, pp, Karin, Las firmas de Velázquez two,! Reunited Madrid 06.06.2020 - 25.07.2021, el realismo y Velázquez the horizontal vertical... Lopez Torrijos, R., Mirar un cuadro en el Museo del Prado Aldeasa, Madrid,,. 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La Paleta de Velázquez, Iberia-Joaquin Gil, Barcelona, 2008, pp faure, Élie, Velazquez Cirene..., 1/2, 2000, pp Prestel, Munich, 1974, pp Madrid Arte. Paints and high quality artist-grade canvas to ensure the most vivid color the surrender of breda of portraiture not... Does not diminish in the most lavish room in that palace, the Hall Realms... A very similar content is also transmitted by Juan Bautista Maíno ` s most prestigious painter, was commissioned Philip..., Electa, Madrid, 1999, pp Press, Chicago, 1983, pp y II, Aguilar Madrid! Pierre, Les Lances de Breda, Diego Velazquez, Cirene,,... Best artworks Altar de los pintores de Las pinturas, Museo del Prado América... De unas llaves de una exposición de copias en 1925., Boletín del Museo Prado!
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